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Aug 11

The Last Ten Years

Posted on Wednesday, August 11, 2010 in family

Ten years ago today, I was in a Hudson Shakespeare production of “Much Ado About Nothing.” Their Verges had dropped out. Duncan, who was playing Dogberry, recommended me as a replacement.

The woman playing Beatrice was someone I’d met a few times before. The first time I met her, she’d auditioned for an improv troupe I was in. She did not get cast. The second time, I auditioned for a role in a production of “The Fantasticks” that she was assistant directing. I did not get cast.

But now we were cast together, and we were getting to know each other quite well. There were a few knowing glances. A few casual hand touches. Some definite sparks.

One sunny afternoon after rehearsal, this woman… let’s call her Paula… stated that she was going to the Newport Center Mall after rehearsal to buy a new jean jacket. So desperate was I to spend more time with her that I volunteered to go with her. As we departed the mall and were about to go our separate ways, she suggested we stop at Starbucks for a frappuccino. We drank our frappuccinos by the Hudson River piers at Newport. We made small talk. Small talk became deep talk. Suddenly, we began to kiss.

“Are you asking me out?” she asked.
“Yes, I am.” I replied.
“Well you’d better do it right.”

I officially asked her out on a date.

On that date, ten years ago tonight, we had dinner at Da Rosina on Restaurant Row and then went to see Brian Stokes Mitchell in “Kiss Me Kate.” It was torrentially raining when we met, so we had to hide for a while under the awning of the church in which they were doing “Tony and Tina’s Wedding.” But that evening after “Kiss Me Kate” the weather was clear enough for us to walk over to Bryant Park and make out.

Yes, technically our wedding anniversary is the more important one. But I will never forget the night ten years ago, when I had a spectacularly successful first date with the love of my life.

Aug 7

See Our Vorpal Blade Go Snicker-Snack!

Posted on Saturday, August 7, 2010 in improv

So, my fledgling improv team, “Jabberwocky” has changed its name to the similarly sourced “Vorpal.” “Vorpal” sounds faster, and everyone knows that the most important property of an improv team name is how fast it sounds.

In addition to a fast-sounding name, you need promotional photos with actors in silly poses. Fortunately, I’ve got the camera equipment, and fellow troupe member Colin lives in a magical Wonderland with a huge white cyc wall. Silly poses, ahoy!

Vorpal 12

We’ve been booking shows at a very scary pace for a brand new troupe. We’ve hit the ground running! Our upcoming shows are:

Monday, August 9, 2010, 8:00 PM
Wonderland Collective
38-01 23rd Ave., Astoria (Between 38th St. and Steinway, above Astoria Sound Works)
FREE! (This show is just kind of a warm-up in front of a friendly audience, and get a clean promotional video. If you’re poor and live in Astoria, this is the show for you!)

Friday, August 20, 2010, 10:00 PM 10:30 PM
Sparks
Hm, it just occurred to me that I have no idea where this one actually is. I guess I’ll need to find out before I promote it. Watch this space! :)
Edit:
Sparks Cafe and Arts Center
161 W 22 St.
$5 Edit again: $6

Monday, September 13, 2010, 7:00 PM
The PIT Theater
154 W. 29th St.
$5

Jul 20

A Real Group, A Short Show

Posted on Tuesday, July 20, 2010 in improv

So, last night was the world premiere of my new improv group “Jabberwocky.” I can’t tell you how exciting it is to be in a real group again. When I was invited into this group, and saw the list of other players, I was excited because I knew all of these people were talented. My excitement was realized from the moment we started warming up backstage. Things just work so well when everyone’s on the same page!

We started with an opening called “The Conversation” which is pretty much what it is. We get a suggestion from the audience, and proceed to have a five-minute group conversation about it. I was wary of this, because who wants to watch people sit around and talk for five minutes, but it worked surprisingly well. It was entertaining and generated a boatload of specific information and themes. And since the players aren’t worried about participating in some sort of theatrical game, it’s much easier to process that information. Also, as I mentioned before, having a talented group of folks you trust all on the same page makes a world of difference.

As far as my own scenework goes, I was a tad disappointed. In my main scene, I played a Rabbi who was marking all kinds of wildly inappropriate food as Kosher. My partner and I played the “what funny things can we make kosher” game for a few minutes, but it wasn’t as much about the relationship as I’d like and so it required excessive invention and didn’t have legs beyond that initial scene.

We were told in advance that we’d get 20 minutes, and we kind of built our form around that time, but we were cut off around 10-15 minutes into our set. That’s disappointing, not because we crave more stage time, but because our form didn’t have the opportunity to wrap up and make the connections that make longform improv so satisfying.

Major thanks to Don and Alex for coming to our show, and unbelievably major thanks go to Chris, who has come to just about every improv show I’ve ever done.

Jul 15

Welcome to Improv Night… For Real!

Posted on Thursday, July 15, 2010 in improv, theater

As any reader of this blog already knows, I’ve been doing a lot of improv at the PIT lately. Up until now, it’s all been open jams and class shows. But no more, my friends! Like an improv Voltron, we’ve assembled the best parts of my previous classes to create a Robeast-destroying whole. Except that in this case, instead of destroying a Robeast with a flaming sword, we create a really funny show on the spot.

We are Jabberwocky, and we are part of the Dream NYC show.

Jabberwocky is:

Kathryn Dunn
Daniel Operman
Mary Guiteras
Colin Longstaff
Nathaniel Bryan
Shayne Newton Grier
Jason Specland

We are performing at:

The People’s Improv Theater
154 W 29th St.
NYC

Doors open at 9:20, Show starts at 9:30!!

$5 (Free for any improv student with a student ID from any improv-teaching institution!)

Be there, or get eaten.

Jul 2

It’s About the Relationship!

Posted on Friday, July 2, 2010 in improv

Last night I did New Team Lunacy at The PIT with a few friends from class, and a few others. I was not happy with my performances last night at all, but I think I got some valuable insights. I’m posting them here mostly to solidify them in my own mind.

“The things that make good theater make good improv.” This is a phrase I’ve uttered from the moment I first directed a troupe, but I never really examined it in more than a cursory way. When I say that, I’m usually referring to mundane things like physically cheating out or taking your character seriously even in the face of extreme weirdness.

But what else makes good theater?

A well-scripted plot makes good theater, but trying to plot in your head while performing improv is surely a trap. Effective props, sets, and costumes are part of theatricality, but are totally absent in improv. Direction and blocking are also vital ingredients in theater, but not to be found on the improv stage beyond instinctual movements.

So what does that leave us? People. If you have one person, you have character. But if you have more than one person, you have relationships. Improv is about relationships.

Improv is about relationships because theater is about relationships.

I often fall into the trap of forgetting that improv is about relationships, and thinking that improv is about saying funny stuff on the spur of the moment. I’m doubly “handicapped” because, for better or for worse, I have the uncanny ability to say funny stuff at the spur of the moment. Or, barring funny stuff, I can at least drop references smart enough for people to laugh at their own satisfaction of getting it.

For example: In last night’s show, we started a group game where we just found each other catching one another in a series of trust falls. This lasted for a few seconds, until I felt the urge to name it. I said:

“This meeting of the Federal Reserve Board of Governors is going nowhere! We can’t rebuild confidence in the American dollar just by doing trust falls!”

Funny? Meh. But you try coming up with better on the spur of the moment. :) Was it the best move given the circumstances? Perhaps. Was it about dropping a smart and funny reference, or building relationships? Welcome to “Hey! Look how smart I am!” theater.

The problem with smart-funny-reference theater is the question, “Where does my partner go from there?” And the related question, “Where do I go from there?” Maybe, if my scene partners could drop enough references to the Fed, we could pull a minute or two out of this. But, the only way we even could get more than a few seconds of jokiness out of this scene would be if I’d made it about a relationship.

From now on, I will try and make my mantra, “It’s about the relationship.” I normally do okay with that in situations where I trust my fellow players to support me and give scenes a little while to breathe. But in situations with unfamiliar players, I tend to fall back to, “MUST… GET… JOKE… OUT… QUICKLY!” Thus it was at the Creek last week, and thus it was last night.

I must serenely accept that I will make my scenes about relationships no matter what. I will trust my fellow players, no matter if I’ve never met them, or even if I know them to indulge in joke-telling over substance. And if I am pimped into being a giant sentient marshmallow, I will still know in my heart that I did my best. I will embue my giant sentient marshmallow with human emotion, and make the scene about my marshmallowy relationship.

Jun 30

Brooklyn Walks: Bushwick with Forgotten New York

Posted on Wednesday, June 30, 2010 in A Long Walk

Since my appetites for historical walks and physical pain are apparently insatiable, I spent Sunday on the Forgotten New York walking tour of Bushwick. I won’t go into extreme detail about the tour itself: That ground will no doubt be better covered both on Forgotten New York and on the blogs of the plethora of attendees who’ve forgotten more about New York history than I’ll ever know.

Years ago, when I was roommates with my friend Duncan, we were watching a marathon of TV shows in a series about the history of booze in the United States. There was an episode on cocktails, an episode on beer, an episode on wine, etc. In every episode, they’d eventually come to the 1920′s, and the narrator’s voice would turn ominous and say, “…and then came Prohibition!” And so the fortunes of the boozemakers would take a turn for the worse…

Well, that’s kind of what happened to Bushwick. The Germans immigrated here, built all kinds of breweries, made piles of money with which they built mansions… and then came Prohbition! If I ever make a fortune in a product that is known to cause moral panic, I’ll be sure to diversify.

My impression of the area is much the same as Bed-Stuy. Bushwick is a gorgeous renaissance of achingly beautiful brownstones, punctuated with depressing pockets of poverty and neglect. While we were walking, a gentleman of the neighborhood shouted out, “What!? They’re bringing tourists to Bushwick!?” I wanted to say, “Yes. You live in a beautiful and historic neighborhood. You should open your eyes to the breathtaking architectural artistry all around you.” But what I actually said was nothing at all.

One of the most exciting parts of the trip for me was meeting several of my internet heroes. I met Kevin Walsh, the proprietor of Forgotten New York and author of the book by the same name. I met Mitch Waxman of the Newtown Pentacle, a half-historical, half-paranoid exploration of the neglected semi-industrial cemetary area around Newtown Creek. I met Miss Heather of New York Shitty, whom I’d actually met briefly once before since, by amazing coincidence, I work with her husband. After most of the tour broke up, we had a quick dinner at a Mexican/Italian (yes, really) restaurant in Williamsburg, which was kind of a real-life version of celebrity dinner, except with New York neighborhood bloggers.

I don’t know when the next Forgotten New York tour is, or where it’s going to be. I just know I’m going to be there…

Jun 29

Brooklyn Walks: Bedford Ave.

Posted on Tuesday, June 29, 2010 in A Long Walk

You should never tell me that any road is the longest road in a particular borough of New York, because I’ll feel somehow compelled to walk that road from end to end.

So it was when I heard that Bedford Ave. was the longest road in Brooklyn. Stretching about ten miles from Greenpoint to Sheepshead Bay, it cuts a cross-section through our most populous borough. Like a geologist, one can study the strata from this thin cross section and get a good feel for what Brooklyn means to its many people.

I tried this walk before, but the first time was more of a spur of the moment trip, and I got quite a late start. So late, in fact, that I had to abort the mission at Eastern Parkway near Prospect Park due to darkness. But this past Saturday I got started (comparitively) nice and early, determined that I would traverse the borough.

I got off the G at Nassau, and started my journey. One arrives almost immediately at McCarren Park, also known as the white-hot center of the Hipsterverse.

Personally, I think hipsters (insofar as one can even define such a diverse group) get kind of a bad rap. I mean, were we not grungy slackers in our youth? Were our parents not dirty hippies? And how about those beatnicks, with their jungle music? As much as we bristle at the stereotype that seems to encompass our idealistic age, so too should the “hipsters” bristle at our over-generalized scorn.

That said, there sure are a lot of hipsters at McCarren Park. :)

I then came upon North Williamsburg, where the Williamsburg Walks festival was going on. It was a street fair, but not like the arepas, socks, italian sausage, lemonade, repeat ad nauseum fairs that have been the subject of recent complaints. However, I could have done with less “make our city liveable” politics and more “eat this food” food. I availed myself of some mint chocolate chip ice cream from the Van Leeuwen Ice Cream Truck.

Since it was brutally hot on Saturday, I knew that every few blocks, I should get some water from the nearest bodega. And so I did, until North Williamsburg gradually became South Williamsburg. Soon, the on-the-street population began to thin. The beards became less scruffy and more completely unshaven. The clothes went from ironic to far too hot for this kind of weather black coats and dresses from Little House on the Prairie. I’d entered the Jewish part of Williamsburg.

Now, technically and culturally, I’m Jewish. But these people are Chasidim. Beyond Orthodox. By their standards I’m no more Jewish than Pat Boone. An outsider. A goy.

The Chasidim in Williamsburg are known for their reproductive prowess. Every window is covered in bars that overhang the street, not just for protection, but to create a tiny outdoor play area for their children. It’s almost like being surrounded by birdcages filled with Jewish children. In one apartment building where the front lobby door was open, I saw a bank of parked strollers large enough to resemble a used car lot.

The signs are all in Hebrew lettering. I assume the language is Hebrew as well, but it could be Yiddish. In any case, my long-ago Hebrew School education did not enable me to decipher any words but the few obvious ones I remember like “Yisroel.” My brain, always compelled to produce a soundtrack for my mood, was running “A Shtetl Is Amerike” from “Ragtime” in a loop.

Being a Saturday, all the stores were closed. The heat was brutal. But I perservered until, many many blocks later, I came to a Hess gas station with a tiny kiosk in the middle where one could buy snacks and drinks. The glass was bullet proof. I’d arrived in Bed-Stuy. My internal soundtrack appropriately switched from “Ragtime” to Billy Joel’s “You May Be Right.”

One of the striking things about Bed-Stuy (and about Bushwick, which I will write about shortly) is just how beautiful much of the neighborhood is. Despite the blight, the poverty, and the horrible violence that rocked these neighborhoods in the 70′s and 80′s, many of these gorgeous brownstones and other structures have managed to survive. Like the first new buds after a bitter winter, these flowers of archetecture bloom once more.

Which is not to say that the place has lost its character. Outside a bodega, a Middle Eastern store owner straight out of Central Casting was screaming at a kid to “Get out of store you son of bitch!”

I walked past the apartments at Ebbet’s Field. I know this is ho-hum to people from that neighborhood, but it’s pretty exciting to be so close to a part of baseball history. I love old ballparks, and even though no vestige of it remains it’s easy me to get sentimental. Although I can only get so sentimental considering the Dodgers left Brooklyn before I was born. (Speaking of things that have gotten vastly better since the 70′s and 80′s, I’m absolutely giddy about the fact that baseball stadiums that they’re building today look a lot more like Ebbet’s Field and a lot less like Round Cement Multipurpose Arenas.)

I walked past the apartment of our friends Booth and Suzanne. I pondered stopping to say hello, but my feet were aching and my resolve was flagging and I had a very long way yet to go. I knew that if I set foot in their air conditioned apartment, I might never complete my mission. I looked up at their balcony and soldiered on.

I passed the gorgeous Art Deco Sears building, and shortly thereafter I entered the breathtaking neighborhood of Prospect-Leffert’s Gardens. I know I’m about a century or so late to this party, but WOW! What a neighborhood! Row after row of perfectly manicured low-rise brownstones. Every block looked perfect to the last detail — and so it should since it’s a landmark district. It was the only location on the journey where I thought to myself, “Wow. I could live here.” Now if only I had a few million to spare…

The avenue eventually became increasingly suburban. Real lawns. Driveways with parked cars. The housing stock became an interesting mix of gorgeous, large old houses with beautiful porches and modern abominations of marble and chrome worn like bling — a garish show of class indicating the owner has none.

Importantly for my purposes, there were no bodegas on these residential streets. Thankfully, I ran into a few lawn sprinklers along the way. I reached Avenue D and said out loud, “I’m in the alphabet now, bitches!” Little did I know how very, very long the alphabet can be.

I reached the ivy covered and surprisingly beautiful campus of Brooklyn College, crossing over the Bay Ridge branch of the Long Island Railroad. (Something only a train geek like me would know or care about.) After the campus, block upon relentless block of nondescript housing. Nowhere to buy water. I screwed my courage to the sticking place (wherever that might be) and continued on.

Lettered avenue after lettered avenue I trudged. I started counting streets backwards from Z, knowing my eventual destination was shortly thereafter. Ave. L… M… N… O… P… Hey, did you know that Ave. Q (of Broadway musical fame) is actually just called Quentin Rd.? And it’s actually not very unpleasant at all. (At least it’s not unpleasant where it intersects Bedford Ave.) And Gary Coleman wasn’t a live-in super! Moving on… R… S…

Around, oh let’s say Ave. V or so, the houses started to look a little more like… well… Brooklyn! Smaller. More compact. Between Ave. X and Y there was a playground with a public bathroom which I used happily. I reached Ave. Z! The end was in sight!

As I approached the underpass for the Belt Parkway, I began to despair. I saw construction crews and a huge tarp. I was afraid that construction had closed the avenue, and that there would exist a tiny, tiny sliver of Bedford Ave. that I could not say I’d walked on. My entire trip, so close to its conclusion would be in vain. Thankfully, I soon realized that only half the street was closed, and the pedestrian walkway was still intact. I continued with a spring my step had not seen in hours. I could smell the sea air.

A short block later, I reached Emmons Ave. in Sheepshead Bay. I waited for the light to change, so I could cross the street to it’s absolute terminus. The light stayed red for approximately ten thousand years, but I was finally able to cross the street. I smacked the ground with my hand. I sat in a public bench overlooking the harbor. I tweeted my victory. I rested.

No rest (or at least, not much rest) for the weary, though. I was desperately hungry, and I had to make it back to Manhattan for Paula’s final performance of “Green” in only a few hours time. My protesting legs moved me up Sheepshead Bay Rd. to catch the Q train. I stopped at a pizza place by the station. This would be a costly mistake.

When I got to the station a Coney Island bound train just left. The station agent announced that, due to a tree falling on the tracks, there was no Manhattan-bound Q service. “No problem,” thought I. “I’ll just take a Q to Coney Island, then take an N right to Paula’s show.” Well, that was not to be either, since I apparently just missed the last Q. After waiting for about 20 minutes, the station agent let us know that that last Q was the last Q that was on our side of the tree. My feet, legs, and knees all screamed in agony.

I caught a bus to Coney Island, overflowing with everyone else who was waiting at that stop and had the same idea. No room to sit. By this time, my lower extremeties were talking with attorneys about naming me in a class-action lawsuit. The bus stopped well short of the train station at Stillwell Ave. “Better get off here if you’re taking the train. Lots of traffic ahead.” I did, and, to the horror of my legs, walked to the train.

Thankfully, the trip on the N train back to Manhattan was long, cool, and relaxing. I didn’t mention to my legs that we’d be going on a walking tour of Bushwick the next day. And the next day would be even hotter…

Jun 15

Debugging WCF Services In Visual Studio 2008 in 32-bit Mode on a 64-bit Architecture

Posted on Tuesday, June 15, 2010 in Programming

This is for my own reference, (and for the sake of anyone Googling) since this has been driving me crazy for months. Feel free to ignore if you’re not a geek. Feel free to correct it if you are.

When building a WCF project for the x86 architecture on an x64 machine/OS (like, say, Windows 7), you will get a BadFormatException when you try to debug it. This is because WcfSvcHost.exe will run in the mode defined by your architecture, regardless of your particular build environment. Microsoft says that this is working as intended. I say boloney, but I’m a VS version behind now. (I haven’t tested VS 2010 yet.)

Here is a link to part of the solution.


corflags /32BIT+ WcfSvcHost.exe

However, the signature of this assembly is now broken, and won’t load. So to bypass that:


sn -Vr WcfSvcHost.exe

to remove strong name signature verification.

DANGER:
Don’t do that unless you know what you’re doing! That opens up a huge security risk. Do not do that in a production environment! Only do it on your dev box!

Why not just build the app in x64 or (even better) Any CPU? Because I can’t get Oracle.DataAccess in 64-bit.

Jun 3

Hey You Guys!!!

Posted on Thursday, June 3, 2010 in family

When I was a kid, my day was practically defined by the PBS children’s programming schedule. Sesame Street, followed by The Electric Company. I think it even re-ran several times during the day, which was great for those long, lonely summers when every kid in the neighborhood but me was off to summer camp.

Some time ago, in a fit of nostalgia, I purchased the DVD box set of the best of The Electric Company. Like most nostalgia purchases of products that don’t necessarily age well, I watched a few episodes and put it away to gather dust in the cabinet.

A little while later, we had a child. And a few years after that, he became obsessed with PBS’s new version of the Electric Company, which is the Electric Company in name only, aside from taking the silhouette word-mashing bit. I was wondering if he might enjoy the older version. I put it on for him…

Those of you who have children know that three-year-olds don’t merely enjoy things passively. When they find something they love, they grab hold of it like a pit bull on a rawhide chew. They just have to keep watching it over and over and over… And when they’re not watching it, they’re repeating it again and again and again, at the only volume level they know: 11.

And so, for the past few weeks, our house has been filled non-stop with the sound of Benjamin shouting, “Hey You Guys!” and “We’re gonna turn it on! We’re gonna give you the power!” and little bits from every single skit and cartoon that PBS saw fit to put on the DVDs. My son is doing what two episodes a day every day for the bulk of the late 70′s and early 80′s couldn’t: He’s making me sick of the damn Electric Company.

(Oh crap. I just noticed, while typing this, that I was humming the theme song to myself again.)

On the bright side, he is reading along with the episodes, and learning more about language. There are worse things for a boy to be addicted to than one of the greatest educational shows in history. In fact, upon involuntarily studying the episodes, it’s kind of shocking how much educational content the new version of the show sacrifices in the name of having a through plotline. It’s also gratifying to see that he especially enjoys the songs of Tom Lehrer. Boy knows quality when he hears it.

On the dim side, I had the following conversation with Paula.

Me: It’s educational and all, but should Benjamin really be so obsessed with a program that aired 20 years ago?
Paula: Jason, it aired 40 years ago.

Now I just have to convince him that plaid couches and pants are not okay…

Apr 26

Done: Sunday Funnies Upcoming: Thursday Funnies

Posted on Monday, April 26, 2010 in improv, theater

So yesterday evening, we had our first level 3 class show at the PIT. Everyone seemed to think it went well, but as usual I’m beating myself up over missed opportunities. Fortunately, our class was sufficiently large that we did two mini-shows, and I got to do both. I wasn’t very happy with myself in the first one, but I feel like I picked up a bit more steam in the second.

Scott (our teacher) gave notes and hung out with us afterwards. I asked him about my ritual post-show self-flagellation. His reply: “First, don’t. Second… don’t.” So perhaps I shouldn’t. Or perhaps he was drunk. Or perhaps both.

If you missed the Sunday show, you can still see our final class show next Thursday. Specifically:
Thursday, May 6, 2010 at 7:00 PM

The PIT
154 W. 29th St. (between 6th and 7th Ave.)

And it will set you back:
$5.